Bowl Victory Belongs to the Excited Team – Jan 2, 2013

We see this every bowl season – teams that are excited to be in a particular bowl play up to their capability while other teams play as if their venue is beneath them.

Stanford and Wisconsin were both pleased to be part of a traditional Big Ten versus Pac-12 matchup in The Granddaddy Of Them All, the Rose Bowl. For the first quarter and half of the second Florida seemed bored being in New Orleans for the Sugar Bowl, playing as if a non-championship BCS game against a Big East team would be a walk-through.

The result: a Rose Bowl classic and a Sugar Bowl first half that Florida would rather forget. Which is consistent, because the Gators certainly forgot to bring their “A” game for the kickoff.

A full and enthusiastic full house in Pasadena rooted on an old-school example of power football. Two teams that run behind tight ends and a fullback lead on offense, mixing in some play-action to keep the defense honest. Both defenses physical and aggressive, true to their character, played the run and read pass to pressure the quarterback and cover well.

Stanford executed flawlessly on the opening drive, running scripted plays all the way to the end zone. The Cardinal ran almost half the first quarter clock on that drive.

Stanford’s defense made a quick stop and got off the field. The offense marched down again, 14-0. Two touchdowns on two possessions to dominate the first quarter.

Wisconsin answered in the second quarter with balanced play calling and a tweaked defense. Stanford prevailed, but Wisconsin was in it until the end.

Thousands of Sugar Bowl seats went unpurchased by Florida fans. Louisville fans showed up in force. The teams reflect the unbalanced enthusiasm. Louisville DB in good coverage on the opening play of the game. Driskel’s pass off target, receiver gets fingertips on it, DB does the tip drill – pick six. Louisville gets a defensive stop, long march to second touchdown – 14-0.

This, however, is a different two-touchdown lead from the Rose Bowl. Florida is not being true to character. The Gators are getting stuffed on the run. They don’t convert on third downs. They don’t protect the pocket. Their defense gets burned.

The Gators get on the board with a field goal at the start of second quarter. They finally wake up at the end of the half to score a touchdown.

The Cardinals score on their first four possessions and hold a 24-10 halftime lead.

The only way Florida acts like the team that only lost one game all season? The Gators, most penalized team in the SEC, pick up eight penalties in the first half.

Second half I’m watching the same Sugar Bowl. Florida plays out of character from the kickoff, going for their first onside kick attempt of the entire season. I think ESPN’s Chris Spielman is right, it’s a sign of desperation.

Credit Louisville Head Coach Charlie Strong for having his “hands team” on the field. A receiver collected the onside kick and wrapped his body around it.

A Gator on the kickoff team commits two personal fouls and gets ejected from the game. Both fouls are enforced, putting the ball on the Gator 19-yardline. Terry Bridgewater immediately throws into the end zone – Louisville 30, Florida 10.

The entire third quarter Louisville moves the ball, Florida does not. Louisville squanders additional scoring opportunities, missing an extra point, two field goals, and gets no points after a goal-to-go opportunity. Louisville maintains a twenty-point lead by pressuring Driskel and sacking him. Florida does not have the receivers to stretch the field and when they are open Driskel holds the ball too long.

Finally, with 1:46 remaining in the third quarter, Florida makes a play. A D-lineman tips a Bridgewater pass and the defensive back alertly pushes the receiver out of the way – permitted after the tip, Spielman points out – and secures the interception. Starting this drive in Louisville territory, Florida runs the ball like Florida as the third quarter ends.

Switching to the other end of the field, Florida takes advantage of Lousville’s excellent pursuit with a reverse for a first down. The Gators follow up with a nicely developing screen pass. Two nice calls in a row – but Driskel fails again to get the ball out again, hit and almost sacked as he throws incomplete.

A couple runs get stuffed. Driskel passes again, too high – Louisville DB Andrew Johnson intercepts in the end zone and returns it to the 20-yardline.

12:48 left in the game, Bridgewater milking the clock. Another running play keeps the defense honest. Bridgewater completes a pass for a first down.

A couple plays later Bridgewater passes for another first down, then he hands off and for the first time in the game Louisville gains serious yardage on the ground. Nine yards on one carry, twenty-five on another – this last the longest run from scrimmage the Gators have allowed all season. Louisville marches deep enough for their kicker to make a thirty-yard field goal. Louisville up 33-10 with just 7:54 left on the clock.

Louisville native Muhammad Ali participated in the pregame coin toss. A Cardinals fan holds up a sign with a photo of Ali in the ring standing over Sonny Liston with the caption, “We shocked the world!”

Under eight minutes to go, wrapped up, right? Except Louisville has the worst Big East kickoff coverage. Florida runs back the kick for a touchdown. 33-17.

Florida head coach Will Muschamp gambles again with an onside kick because Florida hasn’t stopped Louisville yet. Kick goes out of bounds, plus five yards for another Florida penalty (off sides).

Gators finally get a stop, but Louisville downs their first punt of the night (!) on the Florida 3-yardline. DE Preston Brown almost sacks Driskel again, almost intercepted.

Gillesley rushes to the 20-yardline, a 17-yard gain. Driskel hits a pass for another first down, another short pass, 4:30 left and counting. Driskel scrambles but gets tackled short. On third down he converts on another pass. Time stops for an injury, but there’s only 3:46 left and Florida is sixteen points down.

A couple incompletions, a big gain to the Louisville 2-yardline, a loss to the 5-yardline and time run off the clock, then a nice tight end delay for a touchdown pass. Florida is still alive.

Until Louisville sacks Driskel on the 2-point conversion attempt. Louisville grabs the onside kick with a minute and a half left and a ten-point lead. Louisville actually makes yardage and gets a first down, takes a couple knees, and celebrates a 33-23 win – Sugar Bowl champions.

Louisville head coach Charlie Strong turned down offers from Tennessee and other programs that were hiring. Teddy Bridgewater says after the game, “I thought Coach Strong was gone, him staying shows the loyalty he has to these players.” After the championship trophy goes to Charlie Strong, Bridgewater receives the Sugar Bowl Most Outstanding Player trophy.

Louisville has spent a lot in facilities upgrades and will move the ACC. In Coach Strong’s third year the future looks bright.

Florida, two-touchdown favorites, will hurt for a while, but with a top recruiting class the Gators might actually be better next year.


My Pet Peeve In Sports Reporting

My pet peeve in sports reporting cropped up most often several years ago at the Los Angeles Times, formerly one of my favorite sports news sources. I suspect it had something to do with the Tribune Corporation acquisition, but then I wasn’t on the inside. I was a customer, a subscriber. Anyway, I saw a trend – which I saw as an epidemic – of a bad story format.

Even casual readers of newspapers, eZines, and blogs know – at least subconsciously – to expect a hook, a headline, the why-should-I-read-this opening that gives us the punch line, the climax, the point. If it were fiction or TV drama it would be a spoiler. We want to know the result up front and then settle in and read the rest of the article – or as much as we have time for – to get the rest of the story.

So several years ago I read a lot of game summaries that irritated me to no end. The first paragraph summarized the climax and the next several paragraphs unfolded the full drama and denouement. So far so good, but the next section would jump back a bit, play out the previous part of the game, jump back again and play out another bit, jump again, and again, and so on.

The baseball summaries done in this fashion were the worst. If the drama was in the ninth inning, for instance, after the nice climax story came the setup in the seventh and eighth innings, then the fifth and sixth innings, then the third and fourth, and finally the first and second. Talk about anticlimactic. Just like a movie with too many flashbacks, a game summary like this takes the reader out of the story.

The reason we watch sports is to watch the development of the game. What happens early influences what coaches and players do late. A pitcher uses more breaking balls the second and third times through the order. A manager intentionally walks a guy who’s three-for-three in the game. An offensive coordinator abandons the run behind by two touchdowns. It’s the story of the game that should be the story of the article.

If the early stages didn’t factor in the victory, don’t bother going back and detailing every indecisive inning or possession. (That’s covered by box scores and drive charts.) Just leave it out, or better yet, summarize how it all brought the game to the climax. And please take us there from the beginning, even if you zoom through it.

Yasiel Puig and the Dodgers Are the Biggest Baseball Story of the Year

Yasiel Puig and the Dodgers are the biggest baseball story of the year. Except, maybe, if you’re a Yankees fan. Or a Brewers fan. Or…

The underachieving men in blue were truly pathetic after the first two months of the season. Then they got healthy. They got in sync. And most of all, they got Puig.

Yasiel Puig is a rare combination of multifaceted talent and charisma. He reminds me of some special prospects of decades past.

I remember seeing Pedro Guerrero deployed in right field in Dodger Stadium in his September call up prior to his rookie season. Just the way he stood, moved to shag fly balls, the effortless speed. I could tell he was enjoying himself. He had fun. He loved the game of baseball. He had that special something. He had “It.”

Dwight Gooden. “Doc” had a blistering fastball. But he had presence, too, like Bob Gibson. I mean, nobody is like Bob Gibson, but Doc was special.

Puig has something indefinable. Like Fernando, like Maury Wills. He has the potential to be a dominant heart-of-the-order hitter like Paul Goldschmidt or Buster Posey. I see him more as a Pablo “Kung Fu Panda” Sandoval in blue. A dangerous streaky hitter for average and power, a potentially great defender. With more speed and power than Panda.

We’ve already seen potential problems, just as we saw problems for each of the players named above. Puig is just a rookie, so we’ll see more stuff come up. He seems to be doing fine. Don Mattingly thinks so too, and Donnie Baseball has a good baseball mind.

Mattingly also has the players. Even if they all just play average – for what they’ve done in their careers – the Dodgers are looking at several coming seasons of success. All their stars except Adrian Gonzales have had personal issues, but winning often makes those go away. Next to these guys, Puig is just a teddy bear.

As Poem: A Pure Part of the Abyss as Primeval Source of Existence

I think of an abyss

As a deep cavern

Or the depths of the ocean,

A deep



Forbidding place.

I feel a foreboding at that thought.

The depths of space strike me the same way.

Emotional abyss is a place

Of despondency

Of loss

Of desolation.

The classical abyss,

The philosophical/spiritual/mystical abyss,

The Abyss as Primeval Source of Existence,

This is different to me.

I have always felt a part of the Oneness

Of the Universe.

Beyond my very modest

Rational thought understanding

Of the quantum multiverse

I feel Oneness encompassing all existence

I feel myself in that Oneness



I am a white-capped crest of a wave

A miniscule part of the ocean of existence.

The word part is insufficient

For there exists no boundary

No threshold

Between the part that is me

And the parts that I touch;

We are one.

As a wave, I am

Not a piece of water,

But a pulse

Travelling through the water

Rolling across the vast Pacific

Leaving warm tropical waters behind

I move through colder waters

To break on a distant shore.

I become a vibration in the rocks

In the sand

In the air

In the trees

In a human sitting over a tide pool

Reading these words.

I breathe the air.

Is the air I am about to inhale


Is the air I just exhaled


Is the air in my lungs


Is the oxygen entering my bloodstream


Is the carbon dioxide exiting my bloodstream


Are the photons of sunlight entering

My skin

My lens, cornea, iris, and retina


Where and when

Does the packet of pheromones

And essence of lavender

And flavor of pesto

And rot of compost

Entering my nostrils

Become me?

Where do vibrations

My daughter’s voice

The rimshot of a snare drum

The whine of my dog

The purr of my cat


My body


I feel the radiant heat

Of a bruised muscle

A fraction of an inch

From my hand

As with laying on of hands

I reduce inflammation

Without skin-to-skin


I feel the pulse of a meridian

I gently press a fingertip

Into an acupressure point.

I feel the chaotic, sickly energy

Of a migraine

In my hands.

I reposition the neck

Release the pressure

On the vertebrae

Release the tension

In the muscles.

Where does my client end

Where do I begin?

Where are the boundaries

Between my treatment table and my client

Between my client and me

Between us and the rest of the room?

Everything here

Is a room’s worth of nuclei

Kept apart by orbiting electrons

Electrons shared by nuclei

In molecules

Joined in communities

We identify as objects.

I feel oil and sweat

Of my client’s skin

Heat of my client’s muscles

In my hands,

The flow of my energy

Through and around my hands.

I sense the room’s atmosphere




I feel one with

Wind and sound and damp at the ocean’s edge

A roaring football stadium as one team comes together

And another falls apart

A hand on a swooping sculpture’s curve

My mind’s eye

My heart

My body

As I grok a Frankenthaler painting.

As I watch a spider spin her web

A flight of pelicans glide over the beach

A butterfly flutter

A dragonfly whoosh

A deer tiptoe

A coyote trot.

I feel Oneness

With redwood forest

Glacier-carved granite cliff


New-fallen snow.

I feel this

In love

In sex

In grief

In memoriam.

I feel this

In gratitude

In appreciation

In communication

In understanding.

I know this

In my sum totality

Which I ignore

In my separate parts.

For those parts are inseparable

Though they know not.

As students in a class are inseparable

They are the class.

As a family is separate as individuals

Yet interwoven as a family.

As a community is an interdependent whole

Intermeshed in myriad ways



And not.

I see you.

I hear you.

I feel you.

Yet I merely sense

My greater self

That includes us both

And all that we are.

We are one.

We are one in this time and place

This experience



And beyond

Time and place

Alive with potential

Alive with history

Here and now.

Only here and now.

And now.

And now.

So full.




A Pure Part of the Abyss as Primeval Source of Existence

I think of an abyss as a deep cavern or the depths of the ocean, a deep, dark, cold, forbidding place. I feel a foreboding at that thought.

The depths of space strike me the same way.

Emotional abyss is a place of despondency, sense of loss, desolation.

The classical abyss, the philosophical/spiritual/mystical abyss, The Abyss as Primeval Source of Existence, this is different to me. I have always felt myself to be a part of the Oneness, the Universe. Beyond my very modest rational thought understanding of the quantum multiverse, I feel Oneness encompassing all existence and feel myself in that Oneness, all-connected, all-related.

I am a white-capped crest of a wave that is a miniscule part of the ocean of existence, but the word part is insufficient, for there exists no boundary, no threshold between the part that is me and the parts that I touch; we are one.

As a wave, I am in fact not a piece of water, but a pulse travelling through the water, rolling across the vast Pacific, leaving warm tropical waters behind as I move through colder waters to break on a distant shore. I then become a vibration in the rocks, in the sand, in the air, in the trees, and in a human sitting over a tide pool reading these words.

I breathe the air. Is the air I am about to inhale me? Is the air I just exhaled me? Is the air in the lungs me? Is the oxygen entering my bloodstream me? Is the carbon dioxide exiting my bloodstream me? Are the photons of sunlight entering my skin, my lens, cornea, iris, and retina me?

Where and when does the packet of pheromones and essence of lavender and flavor of pesto and rot of compost entering my nostrils become me? Where do the vibrations of my daughter’s voice and the rimshot of a snare drum and the whine of my dog and the purr of my cat become my body vibrations?

I feel the radiant heat of a bruised muscle a fraction of an inch from my hand as with laying on of hands I reduce the inflammation without skin-to-skin contact. I feel the pulse of a meridian as I gently press a fingertip into an acupressure point. I feel the chaotic, sickly energy of a migraine headache in my hands as I reposition a client’s neck and release the pressure of the vertebrae and release the tension in the neck muscles.

Where does my client end and I begin? If I take a non-attached view, what are the boundaries between my treatment table and my client and me and the rest of my treatment room? Everything here is a room’s worth of nuclei kept apart by orbiting electrons, electrons shared by nuclei in molecules, the molecules joined in communities that we identify as objects.

I feel the oil and sweat of my client’s skin on my fingertips, the heat of my client’s neck muscles in my hands, the flow of my client’s energy around my hands. I sense the room’s atmosphere, vibration, mood, tone, peace and agitation, dissipating tension, calming anxiety.

It’s the whole experience of wind and sound and damp at the ocean’s edge, of a roaring football stadium as one team comes together and another falls apart, of a hand on a swooping sculpture’s curve, of my mind’s eye and my heart and my body as I grok a Frankenthaler painting.

I feel this watching a spider spin her web, a flight of pelicans glide over the beach, a butterfly flutter, a dragonfly whoosh, a deer tiptoe, a coyote trot. I feel this in the redwood forest, glacier-carved granite cliffs, waterfalls, new-fallen snow. I feel this in love, in sex, in grief, in memoriam. I feel this in gratitude, in appreciation, in communication, in understanding.

I know this in my sum totality, this which I ignore in my separate parts. For those parts are inseparable, though they know not. As students in a class are inseparable, they are the class. As a family is separate as individuals, but interwoven as a family. As a community is an interdependent whole, intermeshed in myriad ways visible, apparent, and not.

I see you. I hear you. I feel you. Yet am I not merely sensing my greater self that includes us both and all that we are? We are one. We are one in this time and place, this experience in, through, and beyond time and place, alive with potential, alive with history, only here and now. And now. And now. So full. Vibrating, pulsating. Alive.

Intrigue in MLB Western Divisions

West Coast baseball is full of intrigue this year. Probably the biggest story is the bust of the two SoCal spending sprees. However, my favorite story is the three-team race – and as of May 22nd, the three-way tie for first – in the National League West between the Diamondbacks, Rockies, and Giants.

Most pundits picked the Dodgers to dominate the NL West, with the Giants in their wake. A few thought – correctly – that the D-backs would be improved after delighting both B.J. Upton and the Braves by sending off arguably their best player. Turns out Arizona’s sound rotation is backed up by a dangerous lineup featuring the ever-improving power threat at first base, Paul Goldschmidt.

Goldie has power to all fields, a quick compact swing that’s easy to maintain. He has this in common with Buster Posey. Neither goes into an extended slump.

Goldschmidt also has made himself into a good fielder, progress that was far from predestined.

While noting Colorado’s improvements last year, few observers expected the Rockies to contend this year. After all, who could predict this to be the break out year for Dexter Fowler, the perennial five-tool prospect. Though his batting average remains low, when he connects he produces the long ball. Hard to pitch around both Dex and Tulo.

In the field Fowler is a solid centerfielder. He’s got to be considered for the All-Star team this year. Married life agrees with this young star.

The Angels in fourth place in the AL West and the Dodgers in fifth place in the NL West both have expensive seasons with little to cheer about. The Rangers might have already buried the .400 Angels, as the Texas pitching staff seems too good to allow an epic collapse.

The Dodgers are just as bad, but are optimistic that Zack Greinke’s return can spark the team. With potentially the best pitching staff and best lineup in baseball, the men in blue are falling down in all areas. Though they are closer to first place than the Angels, they are looking up at three strong teams at the top. Those teams have been beating each other up instead of one or two running away from L.A., but then why worry about a team that can’t yet catch the Padres?

Meanwhile, the annual Dodger Blue nightmare plays out in an unexpected way: while mired in the cellar, the Dodgers see their Halloween-clad rivals share first place despite a sky-high rotation ERA and an uncharacteristically error-prone defense. Even Giants faithful must be shocked that the Giants have driven in the third most runs in the league. This despite nagging injuries and illness in the G-men’s lineup.

I’m enjoying the spirited competition in the NL West, which I see going all the way to the wire. Meanwhile, I’m making no call as to which L.A. team comes around before it’s too late. If either.

Learn About Police Interview & Interrogation; Upcoming CCWC 2013

For crime writers, both true crime and fiction, knowledge garnered from LEOs is gold. I collected hundreds of nuggets in Sgt. Derek Pacifico’s two presentations at the California Crime Writers Conference (CCWC) two years ago.

Pacifico is a 22-year veteran of the San Bernardino County Sheriff’s Department and a veteran homicide detective. Recently retired from the Sheriff’s department, he continues to run his own respected company, Global Training Institute, to train police officers and detectives across the country in investigative techniques, including homicide investigations.

At the CCWC 2011 Pacifico gave presentations on interrogation techniques and crime scene investigation. Both were dynamic, informative, and entertaining. Afterwards a few of us writers convinced Pacifico to put on a full seminar for writers. In a matter of a few months the veteran trainer had boiled down his two-week-long workshop for cops to a two-day seminar for scribes, Homicide School for Writers. Pacifico had a new business in Crime Writers Consultations.

I attended that first seminar at a San Gabriel Valley hotel. Comprehensive, engaging, by turns sobering and hilarious, the course showed us many ways that we could bring greater authenticity to our writing. I highly recommend this workshop to all writers who deal with crime and law enforcement topics.

You can see a bit of Derek Pacifico teaching cops at No sound, but you can see how he services police departments across the country. BTW, if you’re wondering what we didn’t get from the two weeks cops spend with Pacifico, how about two days (?!) covering Miranda rights. Boring even for cops, but can mean the difference between a conviction and a case thrown out on a technicality. We writers have more leeway.

Read about Derek Pacifico at Listen by signing up for a free teleconference, The 5 Stages Of Police Interview & Interrogation (on Saturday, March 9th) at I’ll be listening – this is fun stuff.

If you can get to Chicago March 29 & 30, 2013, you should attend Writers Homicide School in person at Tribeca; otherwise, you can watch and participate in the webinar – at a great low price with no travel costs. (I prefer to attend such events in person, but webinars are cost effective and time efficient. The webinar description says you will be able to ask questions online.)

Please let Derek know that you heard about this through my blog, as it might help him in his marketing. Feel free to tell your fellow writers about this great research resource. I know you’ll have fun.

Another California Crime Writers Conference is coming up this summer in Pasadena, CA, June 22-23, 2013. Sisters in Crime – Los Angeles ( and Southern California Chapter of Mystery Writers of America ( co-sponsor this fantastic event every two years. Outstanding authors give keynote speeches – this year the Saturday keynoter is Sue Grafton and Sunday’s is Elizabeth George. Breakout sessions always include cops and scientists, agents and publishers, and there are plenty of chances to mingle. Hope you can join us. (I’m a member of SinC-LA.)